The growing obsession over the film festival standing ovation and the reaction to it from the stars has — for some — become a source of ridicule. Was it 12 or 13 minutes long? Did anyone famous cry? Did they hug anyone? Does any of it matter and, crucially, will any of this translate into success at the box office?
Now, this mockery has come full circle and made it back to screen.
“Ovation” — a new short film written and performed by Luke Barnett — is described as “an actor’s journey through a never-ending standing ovation at the Cannes Film Festival.”
Filmed in one continuous take with the camera never taking its focus from Barnett’s face, “Ovation” shows the actor’s suited star rise from his seat to wild applause and, across five minutes of near continual whoops and cheers, run the gamut of emotions. Humbled acknowledgment, tearful appreciation, tired annoyance, intense frustration… it’s all there (and slowly gets worse). It concludes with a hilariously acute jab at the state of the film industry.
“The short was inspired by watching Joaquin Phoenix during ‘Eddington’s’ ovation at Cannes,” said Barnett. “You can tell it affected him and meant a lot… for about 45 seconds. After that, I’m guessing his soul slowly and uncomfortably died. While any artist — myself included — would love to have that reaction to something they’ve created, I kept thinking… what do you do after that first minute passes, and a thousand people are still staring and clapping?”
Barnett, who recently wrapped a recurring role on AMC’s “Dark Winds” and appeared in “Sunfish (& Other Stories on Green Lake),” which premiered at Sundance this year, came up with the idea. The short was then directed by Noam Kroll, with the two having met after Kroll cast Barnett in “Teacher’s Pet,” releasing in 2026.
Shot over two hours, “Ovation” has a budget of just $50, thanks largely to a two-person crew (Kroll and DP Andy Chinn) and a handful of actor friends happy to help out at the last minute.
“Ovation” follows Barnett’s previous short film, “The Crossing Over Express,” which he wrote, starred in and co-directed with Tanner Thomason. The film went viral at the end of last year, with a feature-length version now in development. Barnett’s managers blasted the short — inspired by a text he received from an unknown number with a video of his mother who had passed away when he was 17 — around town.
Kroll, who has written and directed dozens of short and feature films, all using unconventional, DIY tactics, hosts the filmmaking podcast “Show Don’t Tell.”
Barnett is currently developing a series with Tim McGraw’s Down Home, a film with Todd Garner’s Broken Road and his feature script, “Epilogue” — which is being produced by Kate Siegel, Courtney Petrakis and Brittney McDade and executive produced by Mike Flanagan — launched sales at AFM. He recurs on Apple TV+’s “For All Mankind” and will next appear on “Dark Winds.”
